Manifestari
buruz
guneak
artistak
the Berlage institute
prentsa
nola iritsi
 
Artistak
Argazkiak deskargatu
< atzera | hasiera  

artistak
Wearing, Gillian
1963, Birmingham (Ingalaterra, EB)
Londresen bizi da (Ingalaterra, EB)

gunea: San Telmo museoa

Gillian Wearingek gizarte jokamoldea aztertzen du, giza ibilbideen muinari eusten dioten kontraesanen alderdik ilunenak biluzteko helburuaz. Itxuraz hutsalak diren dokumentazio estrategien bitartez, Wearingek zenbait gizabanakori zinez jokatzen eta jarduten uzten die, adli berean gainerakoak mozorrotuz. Tedi lanean albaniar ume bat fokatzen du, Tiranako hiriburuan heroiaren monumentuaren bertuteak goraipatzen diharduena, hizkera molde aberkoi eta enfatiko batez. Etxeko bideo baten formatoan egina da lan hau, eta bere egitekoa oso serio hartzen duen haur baten erretorikaz zamaturiko hizketa baliatzen du. Haurraren ahalegin gogorraren tentsioa sentitzen dugu —testua ondo irakurri nahian—, eta horrek propaganda sarritan kritikarik gabe erabiltzen zen garai batera garamatza.
kurrikuluma:

Heziketa
Graduatua (Matrikula) Arte Ederretan, Goldsmiths’ College, University of London, Londres, 1990.

B.TECH Arte eta Diseinuan, Chelsea School of Art, Chealse (Ingalaterra, EB), 1987.

Banakako erakusketa aukeratuak
Kiasma Museum of Contemporary Art, Helsinki, 2004.

Album. Gorney Bravin+Lee, New York (AEB), 2003.

Album. Maureen Paley Interim Art, Londres, 2003.

Mass Observation. Erakusketa ibiltaria: Museum of Contemporary Art, Chicago; ICA Philapelphia (AEB); Musée d’Art Contemporain, Montréal (Kanada) 2003.

Trilogy. Art Gallery, Vancouver (Kanada), 2002.

Centro Galego de Arte Contemporánea, Santiago (Espainia), 2001.

Unspoken. Kunstverein, Munich (Alemania), 2001.

Sous Influence. Musée d’Art Moderne de la Ville, Paris, 2001.

La Caixa, Madril, 2001. Bluecoat Gallery, Liverpool (Ingalaterra, EB), 2001.

Regen Projects, Los Angeles (AEB), 2000.

Serpentine Gallery. Londres, 2000.

Gorney Bravin+Lee. New York (AEB), 2000.

Galerie Anne de Villepoix. Paris, 1999.

Gallery Koyanagi, Tokyo, 1998.

Centre dArt Contemporain, Geneva (Suitza), 1998.

Jay Gorney Modern Art, New York (AEB), 1997

Wiener Secession, Viena, 1997

Kunsthaus Zürich (Suitza), 1997.

Emi Fontana, Milan (Italia), 1997.

Le Consortium, Dijon (Frantzia), 1996.

Western Security. Hayward Gallery, Londres, 1995.

Maureen Paley Interim Art, Londres, 1994.

Talde erakusketa aukeratuak
Social Creatures: How Body Becomes Art. Sprengel Museum, Hannover (Alemania), 2004.

Revolving Doors. Fundación Telefónica, Madril, 2004.

Strange Days. Museum of Contemporary Art, Chicago (AEB), 2003.

Synopsis III. Fiction and Reality. National Museum of Contemporary Art, Atenas, 2003.

Happiness: a Survival Guide for Art & Life. Mori Art Museum, Tokyo, 2003.

Outlook, International Art Exhibition 2003. Atenas, 2003.

Inaugural Exhibition. Regen Projects, Los Angeles (AEB), 2003.

Face Off. Kettles Yard, Cambridge
(Ingalaterra, EB), 2002.

Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz. Staatliche Kunsthalle, Baden (Alemania), 2002.

Coming of Age. The New Art Gallery, Walsall (Alemania), 2002.

To Whom it May Concern. California
College of Arts and Crafts, San Francisco (AEB), 2002.

I Promise its Political. Museum Ludwig, Kolonia (Alemania), 2002.

Remix: Contemporary Art and Pop. Tate, Liverpool (Ingalaterra, EB), 2002.

Bienal de São Paulo. Sao Paulo (Brasil), 2002.

The Video Show. Central Museum, Utrecht (Herbeherak), 2002.

Acquisitions 2001. Part 1: Photographs, Video Installations, Video. Gaur Egungo Arte Museo Nazionala, Atenas, 2002.

Inner State of Health: The Person in the Mirror of Contemporary Art. Kunstmuseum, Liechtenstein (Alemania), 2001.

Biennale de Lyon Art Contemporain 2001. Lyon (Frantzia), 2001.

Milano Europa 2001. Palazzo della Triannale, Milan (Italia), 2001.

Confidence pour Confidence. Casino Luxenburgo, Luxenburgo, 2001.

Video Evidence. Southampton City
Art Gallery, Southampton (Ingalaterra, EB), 2001.

Film Festival Rotterdam. Museum Boijmans Van Beuningen, Rotterdam (Herbeherak), 2001.

Telling Tales: Narrative Impulses in Recent Art. Tate, Liverpool (Ingalaterra, EB), 2001.

ABBILD Recent Portraiture and Depiction. Landemuseum Joanneum, Graz (Austria), 2001.

No World Without You, Reflections of Identity in New British Art. Herzliya Museum of Art, Tel Aviv (Israel), 2001.

W. Centre d’Art Mobile, Besançon (Frantzia), 2001.

Birningham Ikon Gallery, Birmingham (Ingalaterra, EB), 2001.

Century City. Tate Modern, Londres, 2001.

Intelligence: New British Art 2000.

Tate Britain, Londres, 2000.

Puerile 69. The Living Art Museum,
Reykjavík, 2000.

Tate Modern Collection. Tate Modern, Londres, 2000; Autowerke, Deichtorhallen, Hamburg (Alemania), 2000;

Contemporary Art Center, Cincinnati (AEB), 2000.

Biennial of Sydney. Museum of Contemporary Art, Sydney (Australia) 2000.

Docudrama. Bury St. Edmunds Art Gallery, Bury St. Edmunds (Ingalaterra, EB), 2000.

Tate Britain Collection. Tate Gallery, Londres, 2000.

Lets Entertain. Walker Art Center,
Minneapolis (AEB), 2000.

Quotidiana. Castello di Rivoli, Turin
(Italia), 2000.

Makeshift. ArtPace, San Antonio (AEB), 2000.

Rewind to the Future. Bonner Kunstverein, Bonn (Alemania); Neue Berliner Kunstverein, Berlin, 1999.

People. Le Spot, Contemporary Art Centre, Le Havre (Frantzia), 1999.

Hundstage. Gesellschaft für Aktuelle Kunst, Bremen (Alemania), 1999.

Ex-Change. La Criee-Centre d’Art Contemporain, Rennes (Frantzia), 1999.

The Viewing Room. Kansas City Art Institute, Kansas City (AEB), 1999.

This Other World of Ours. TV Gallery, Mosku, 1999.

Common People. Fondazione Sandretto Re Rebaudengo per l’Arte, Turin (Italia), 1999.

Sweetie: Female Identity in British Video. The British School at Rome, Erroma, 1999.

Searchlight: Consciousness at the Millennium. The California College of Arts and Crafts, Oakland (AEB), 1999.

Private Room/Public Space. Almeers Centrum Hedendaagse Kunst, Al Almere (Herbehereak), 1999.

Rattling the Frame: The Photographic Space 1974-1999. SF Camerawork, San Francisco (AEB), 1999.

6th International Istanbul Biennial, Istanbul (Turkia), 1999.

Garden of Eros. Centre Cultural Tecla Sala, Bartzelona (Espainia), 1999.

La Sphere de L’Intime. Le Printemps de Cahors, Saint-Cloud (Frantzia), 1998.

Real/Life: New British Art. Erakusketa ibiltaria Japonian: Prefectural Museum of Fine Arts, Tochigi; City Art Museum, Fukuoka; Museum of Contemporary Art, Hiroshima; Museum of Cont-emporary Art, Tokyo, 1998.

Musée du Rochechouart, Rochechouart (Frantzia), 1998.

Videorama. Depot, Kunst und Diskussion, Viena, 1998.

White Noise. Kunsthalle, Berna, 1998.

ENGLISH ROSE in Japan, The Ginza Artspace, Tokyo, 1998.

The Turner Prize 1997. Tate Gallery, Londres, 1997.

Sensation, Saatchi Collection. Royal Academy of Art, Londres, 1997.

In Visible Light: Photography and Classification in Art, Science and the Everyday. Museum of Modern Art, Oxford (Ingalaterra, EB), 1997.

Pandaemonium; London Festival of Moving Images, I.C.A, Londres, 1996.

I.D. Van Abbe Museum, Eindhoven (Herbehereak), 1996

Life/Live. ARC Musée dArt Moderne de la Ville, Paris, 1996.

Full House.Young British Art. Kunstmuseum Wolfsburg (Alemania), 1996.

Playpen & Corpus Delirium. Kunsthalle Zurich, (Suitza), 1996.

A/Drift: Scenes from the Penetrable Culture. Center for Curatorial Studies, Bard College, New York (AEB), 1996.

The Fifth New York Video Festival. The Film Society of Lincoln Center, New York (AEB), 1996.

NOW:HERE. Louisiana Museum of Modern Art, Humlebaek (Danimarka), 1996.

Traffic. CAPC Musée Contemporain, Bordeaux (Frantzia), 1996.

X/Y. Centre Georges Pompidou, Paris, 1995.

Campo. Veneziako Bienala, Venezia (Italia), 1995.

Brilliant! New Art from London. Walker Art Center, Minneapolis (AEB), 1995.

Aperto 95. Nouveau Musée, Institut d’Art Contemporain, Villeurbanne (Frantzia), 1995.

Hotel Mama (Aperto 95), Kunstraum, Viena, 1995.

Make Believe. Royal College of Art, Londres, 1995.

Le Shuttle. Künstlerhaus Bethanien, Berlin, 1994.

Uncertain Identity. Galerie Analix B & L Polla, Geneva (Suitza), 1994.

Okay Behaviour. 303 Gallery, New York (AEB), 1993.

Clove 1. The Clove Building, Londres, 1991.

Empty Gestures. Diorama Art Centre, Londres, 1991.

 
gora inprimatu bidali
beste laguntzaileak eskerrak kontaktua

 

MANIFESTA 5